The Hollow Heart
I texted my sister a warning as soon as it began: “Ridley is singing!” We’ve been watching a British detective series on PBS called “Ridely” for two seasons now. It’s a decent show starring Adrian Dunbar as a retired cop who is lured back into service as a consultant. I’ve seen better, frankly, but it’s well done, and Dunbar is backed up by a fine cast and likeable characters. My biggest beef with the program is that our hero is part owner of a jazz bar and every so often—far too often if you ask me—he takes to the stage to sing. The songs, for the most post, are painfully bad, especially one number called “Open Up Your Door,” which had me jumping out my window. In addition, Dunbar singing’s voice is, let’s say…subpar, and what the hell does singing in a jazz club have to do with solving crimes? We all have our hobbies and side hustles, but this plotline seems arbitrary, and it is by the far the weakest aspect of the series. If the writers ever decide to jettison the sin