Eight Million Stories
I walked down Sixth Avenue in the rain on Friday night and watched the Empire State Building disappear into the mist. It was an eerie, film noir kind of setting and it fit so perfectly with my evening. I had just gotten done viewing the International Center of Photography’s Weegee exhibit, "Murder is My Business" and I was in a B-movie state of mind. Weegee, the nom de flash for Arthur Felig, was a famous New York press photographer of the 1930s and ‘40s who captured the soul of the city in all its glorious mayhem. Gangland slayings, four-alarm fires, car wrecks, raucous celebrations, Weegee recorded it all in screaming black and white. This was my second go-round with Weegee, having gone to an earlier exhibit at the center back in 1997 when I first moved back to New York. But that’s okay; I can never get enough Weegee. Legend has it that Weegee, a phonetic rendition of Ouija, got his handle because of his uncanny ability to show up at the scene of the madness—sometimes bef...